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The Milanese archaeologists recorded early information about Ottavo Richter coming from the distant nineties: at that time, the brave brass blowers Luciano Macchia and Raffaele Kohler were trying to fight the monotony of everyday life enlisting musicians more or less close to their spirit.
After many attempts, during the full post-modern age, Luciano and Raffaele drew up a solid alliance with the Xeres brothers, Marco and Paolo, Valtellinese groove researchers and pizzoccheri explorers.
But something was still missing. Schizophrenia, maybe.
Which was willingly offered by two partially integrated immigrants: “string doctor” Ale Kape Sicardi and “bipolar baritone” Domenico Mamone.
And, in 2005 AD, the world finally knew Ottavo Richter.